A Stage for Expression
Last December, I first met Ashton Laurence backstage at a Nairobi music showcase. Laurence, 25, was preparing to perform, touching up his makeup and adjusting a bold outfit—blonde wig, glittery mesh sleeves, and a dramatic red train. Minutes later, he took the stage with his single, “Only Fan,” which he calls “the gayest possible pop song.” His performance revealed a vibrant, confident artist ready to push boundaries in Kenya’s music scene.
The Birth of Wunderlust Parties
Laurence first garnered attention in April, when a video of a Nairobi Nicki Minaj-themed party—part of his “Wunderlust Parties”—went viral after being reposted by Minaj herself. Wunderlust began in 2019 as a small event to promote Laurence’s music, quickly transforming into a popular platform for queer joy and artistic expression in Kenya.
A Safe Space for Celebration
Wunderlust has since become a lifeline for Nairobi’s LGBTQ+ community, offering one of the city’s rare safe spaces for queer people to gather. Trans artist Gianna, who frequents Wunderlust events, explains, “At the end of the day, I want a place where I can enjoy being alive without fighting.” For many, Wunderlust provides that sanctuary—one where they can fully be themselves without fear.
The Broader Fight for Rights
In Kenya, same-sex relations remain criminalized, creating constant challenges for the LGBTQ+ community. While some small victories have been achieved, such as the recognition of LGBTQ+ rights organizations, major legal reforms remain distant. Against this backdrop, Wunderlust offers a rare moment of freedom and joy.
Celebrating Queer Joy as Resistance
Laurence believes that now, more than ever, queer Kenyans seek spaces to express their identity openly. “I’m grateful I get to entertain, empower, and showcase Black queer excellence,” he shares. Events like Wunderlust are part of a growing movement in Kenya where self-expression itself is an act of defiance.
Looking Ahead: Building a Legacy
Laurence envisions Wunderlust evolving into a large-scale festival akin to Coachella or Glastonbury, where queer communities can celebrate without limitations. As Laurence puts it, the ultimate goal is “world domination”—a testament to his vision for queer joy and solidarity in Africa.
This article was first published on Minority Africa and appears here with permission.
